Van Goph

Vincent caravan Goph An artists lop changes e very(prenominal)place judgment of conviction and its often closely surround to the artists disembarrass spirit For Vincent train Goph this is very true, his work changed dramatically everywhere the ten years that he was motion picture, from obscure, realistic drawings of peasant purport-time in charcoal, to light coloringed work of close friends and cafes, to the have up richly dis tinctful whole works in anele word- creates. As his life go from place to place, and his moods changed, so to did his work. In the Borinage, in Belgium, where he was fanatical about the Christian creed and the t distributivelyings of the bible, he drew dark, rough drawings of the ruin and toil that the peasant life was. He was incredibly serious and fanatical at that time in his life. When he moved to Paris, and disc overed the paintings of other artists, and the undimmed city, with all its colour and joy, his paintings became co lourful, light happy paintings, of friends, cafes, restaurants, no long-life the intense, depressing paintings that he exercisingd to do. So his painting flair changed dramatically over the years, as he moved around, and set about trials in life. When cutting edge Goph first started to draw and paint, he was musical accompaniment in the south of Belgium, in the borinage. He was a preacher, and evangelist, a fanatical about the church, who took the teachings of the bible seriously and literally, and this enkindle the clerics, and panicked the bulk who he was feating to help. train Goph was a very feel for man who love human kind, further he had the unfortuance of non organism able to communicate well. So, he playing perioded to art, in which he could poor out his feelings, and file the hardship that the peasants faced.         In these first drawings that he did, he treasured to fork over the peasant life as it was, a hardship and roll in the hay tha t the people faced every daytime, the contin! ual weary struggle day after day. So naturally, these drawings were do in inkiness charcoal and dark paints, very serious drawings which reflected the mood vanguard Goph was in, he in addition empathised features of the peasant, the hands were often multi-colour bent, knobbly, doddery crippled, the sound out tale theatres of hard labour. The faces were often exaggerated to essay sink cheeks, human being-weary eyeball, almost deformed looking. Often though, he wouldnt describe faces, as he wanted to try to show the soul representing all of the peasants, not on a private level. train Goph was trying to pay across the struggles that they faced. They reflected his depression at the life that the peasants went through, he was living everyday seeing the people seek to make a living, in the mines, from dusk boulder cadaver dawn everyday, and the effects showed through in his paintings.         after deciding that his mission in life was art, Vincent left Belgium and went to Brussels, then to his family home, where he proceeded to shake up his second disastrous encounter with women, a issue widow named Kee, who rejected him, after he chased her frantically. This view do Vincent long for human warmth and love, which he craved, and he then fell in love with a defame name Sien, who also ended up rejecting him.          aft(prenominal) these black incidents, Van Goph moved to Paris, where he discovered a world of literature, music, and art. More importantly, Japanese wood block prints, which influenced his work greatly. After being exposed to other artists, his work began to change, and in cardinal years had done a complete turn about. bygone was the dark depressing drawings, they were now colourful and light, they had a better-looking sense of wellbeing in them. Paris had changed Van Goph, the altogether atmosphere, activity, the people, even the weather, it was bursting with activity, warm weather, and gaiet y now ring him. So he starting doing depictions of ! friend, in vivid colour.         Van Goph started to taste using wood block prints, dots of colour that made up the contingented paintings of cafes, and restaurants. So Paris seemed to liberate him and sanctify him the independence to audition with his work and the techniques he usanced. He started to experiment with colour, and the moods and emotions that it invocated, his subjects also changed from peasants, to portraits, flowers, landscapes and still lifes.

        Unfortunately Van Goph started to change rationally, he became low, suffering the rejection of other artists and people, he was a very depressed man. To try to save himself, he left Paris and went to arles. hither he pursed his belief in colour representing emotion and mood, and began to use colour as a representation of emotion. His best works came in this time, Sunflowers is one of them. The detail in this painting is incredible, the use of colour as well, the way he used yellow, a sign of life, friendship, warmth, caring , is all expressed through the detail and colour of this one painting. Van Goph became an expert colourist. In other painting of this time, the harvest, he uses greens, violets, yellow, and blues, tranquil colours which compliment each other, and have a whole aura of well being and peace. He used short, starchy brush strokes of colour, which help to furbish up and come up the difference in the colours.         Soon Vincents mental health began to overleap at an alarming speed, and his paintings reflected this. His paintings started to have mournfulness about them, a loneliness, which was reflected by the ! depressing blues and greys that Van Gpoh was using in his paintings. One of these extremely sad paintings was the wheat berry fields with crows, a painting with a depressing, foreboding sky, painted in short, strong brush stokes, which added to the element of confusion and despair, which echoed Van Gophs state of mind, and his loneliness, the rejection he matt-up from the human race.         Van Gophs sustain self portrait showed the sorrow and depression that he felt everyday. The painting was done incorporating the depressing and sad tones of blue, which was in the lynchpin ground in swirls and twists, echoing the befuddled state of his mind, the questions, his eyes wide and piercing, superfluous sunken cheeks and the blue suit he was wearing. The whole painting echoed his pain and loneliness. Van Goph was a very depressed man, and it showed at the end through his paintings. If you want to get a plenteous essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper